I was a Disney kid. I probably consumed everything that Disney Channel aired circa 1998-2006, from shows like Lizzie McGuire to animated series such as Recess. Well, at least that was what Disney Channel Asia was airing.
From time to time, I’d also get to watch the iconic Disney Channel Original Movies, DCOM for short. I love love watching these back then because I wanted to be a part of the main characters’ adventures in the film and, honestly, I still kind of want to sometimes.
But, again, those were the days when my thoughts were Innocent™ and whimsical, so I decided to watch some of the films again to see if, after 10 years, my thoughts about them have changed.
Continue reading “DCOMs: My Thoughts Then vs. Now”
There are films that are better told through a linear plot. Some films, however, turn into cinematic beauty for their lack of chronology. Christopher Nolan’s Memento (2001) is a great example of this; so is Gaspar Noé’s Irréversible (2002), which made me curse a lot in a certain post.
So is Denis Villeneuve’s Arrival (2016), a surprisingly amazing film that plays around the concept of time. I have a lot of
feelings insights about the film because it shows the importance—and difficulty—of communication.
—MAJOR SPOILERS AHEAD—
Seriously, turn back and watch the thing before entering the danger zone.
Continue reading “Arrival: Giant Aliens & the Importance of Language”